I started reading this book because it has a creepy cover.
Mary suffers from blackouts, brief periods during which she loses control over what she is doing and retains no memories. Also, she can’t tell anyone about these blackouts or she gets sick and passes out. When a murderer tries to kill her, Mary’s blackouts become more frequent and bad stuff starts happening to the people around her.
That’s the set-up. It’s a bit silly, but it has potential. It turns out that Mary was orphaned and has barely any memories of the mysterious orphanage where she grew up. Pretty much the only thing she does remember about it is that it was run by a Satanic nun. These details are revealed early on in the text, and in context, they set up the story in such a way that one ending seems inevitable. The writing is competent, and there is one particularly effective scene in a closed hardware store, but I was hoping that the author would drop in some shocking twists to elevate this beyond the realm of predictable thrillers. He didn’t.
This book ends almost exactly the way I thought it would. I say “almost exactly” because I thought there would be a slightly cheesy horror twist ending. There wasn’t though. This horror novel has a neat, complete happy ending. Yuck. No fucking thanks. In light of the predictable ending, the other faults of the book seem less forgiveable too. Why didn’t Mary just write her thoughts down instead of having to struggle to verbalise them to every new person she encounters? Also, why was she so afraid to tell her caring husband that she was seeing a psychiatrist? Stupid.
There’s a bit of suspense towards the middle of the book, but there is no real supernatural horror, novel depictions of Satanism, or extreme violence. Mary, Mary was a big let down. A few more of B.W. Battin’s books have cool covers, but I don’t feel any desire to check them out now.
Nocturnal Revelries 