2022, The Year in Review

Normally, I focus on a book, author or theme in my posts, but once a year I do a post about this blog itself. If that seems goofy to you, piss off until next week. 2022 was a good year for me, but I simply don’t have as much time to blog as I used to. Work and family take up most of my day, and this year I also produced a series of podcasts and got involved in a few musical projects. (I also cursed and un-cursed a youtuber.) I’m still reading as much as ever, but I find it harder to find the time to take and crop book photos, research authors and actually write posts. There were actually a few weeks this year when I didn’t post anything! I have a huge backlog of half-written posts that will appear in the new year.

It’s funny looking at the site’s stats. The amount of visitors on this site has gone up every year, but the rate of growth has decreased substantially over the last year and a half. This blog has been online for almost 8 years now, and there has to be a limited audience for a blog on weird, old books, so maybe it has just reached it’s peak. Then again, the stats reveal more. The amount of on-site comments and likes has decreased dramatically. Maybe the quality of my blog has gone down in the last two years, but I also suspect that people aren’t signing in to wordpress.com to browse through blog posts as much as they used to. I’m not upset at the lack of likes, but it does make me feel a bit old fashioned. Has blogging gone the way of alchemy?

Some of the slow-down might be due to the fact that I’ve pretty much given up on promoting the blog through social media. Being on facebook makes me hate everyone, and twitter is a useless piece of garbage. The more active you are on those sites, the more prominent your posts will be in others’ feeds, and personally, I find this idea abhorrent. They are rewarding loudmouthed fools, and their owners are turds. No thanks. I’ll cut off my own cock before I start a tiktok.

A lot of what I read in 2022 was made up of stand-alone paperback horror novels. These things are usually easy to digest and don’t require serious analysis. Some of them were utter rubbish, but every now and then I’d stumble upon a Throwback or Blood Fever and really enjoy myself. I was delighted to finally read Pierce Nace’s insane Eat Them Alive (while suffocating with COVID), and getting my hands on a copy of Barry Hammond’s extremely rare Cold Front was one of the highlights of my year.

I also did a few posts on specific authors. I read several books by Alan Ryan, Thomas Piccirilli (Part 1, Part 2) and William H. Hallahan. I’m fairly certain that my posts on Kenneth Rayner Johnson and Eric Ericson are the most comprehensive articles about those writers currently available online.

My posts on Robert Bloch and Robert E. Howard finished my series of posts on the weird fiction of the members of the Lovecraft Circle. I also read and enjoyed Asamatsu Ken’s more modern work of Lovecraftian horror, Kthulhu Reich. I’m not sure where I’ll go next with this stuff. Maybe Ramsey Campbell’s short stories.

I did a few non-fiction books in 2022. They were all terrible, but The Beginning Was The End by Oscar Kiss Maerth was so terrible that it became my favourite book of all time. It’s a book about cannibal monkeys, and if you haven’t read my review of it, please do so right now.

Well, there you go. Another year older and grumpier. I wrote posts like this for 2016, 2017, 2018, 2019, 2020 and 2021 if you want to take a trip down bad-memory lane. You can also check out my index page for individual links to the 500+ books I have reviewed here so far. Email me at dukederichleau666(at)gmail.com if you have any recommendations or questions. I hope that this blog has been interesting. Happy new year!