While reading John L. Steadman’s H.P. Lovecraft and the Black Magickal Tradition last year, I decided that the time had come for me to reread Lovecraft. Too many of the books I read and plan to read reference his stories, and it was getting to stage where I was mixing up my Shoggoths, Yuggoths and Yog-Sothoths. In order to remedy this embarrassing situation, I started going back over Lovecraft’s tales, including the stories that aren’t included in the Penguin editions of his work. I started on this collection during the summer, reading a story here and there, between other books. I haven’t strictly limited myself to the stories in this collection, but it’s the first of the Wordsworth series that I’ve completed, so I’m reviewing it first.
The Whisperer in Darkness – H.P. Lovecraft
Wordsworth – 2007
All of the other entries in the Wordsworth series contain stories that are not included in the Penguin editions, but this collection was all stuff I’ve read before. It contains:
The Nameless City
The Call of Cthulhu
The Case of Charles Dexter Ward
The Dunwich Horror
The Whisperer in Darkness
At the Mountains of Madness
These are obviously some of Lovecraft’s finest. The Whisperer in Darkness has long been my favourite of his, but I couldn’t remember what happens at the end. It’s fucking fantastic. There were gross parts in this story and in Charles Dexter Ward that I had also forgotten about. I was also very pleasantly surprised by how much I enjoyed the Call of Cthulhu. I have read an awful lot of horror fiction since the last time I read this classic, and I was expecting that it might not seem as effective to me now. If anything, I enjoyed it more than ever. There’s so many passages throughout that story that I paused to reread several times on account of their exceptional awesomeness. It took another half year to get around to writing this review though, so I’ve forgotten the specifics. In fact, the only story from this collection that I’ve read within the last 4 months has been At the Mountains of Madness. It’s only about 4 years since I previously read this story, so much of it was still in my head, but it still managed to give me a few chills. There’s one part near the end where he says, “It is absolutely necessary, for the peace and safety of mankind, that some of earth’s dark, dead corners and unplumbed depths be let alone; lest sleeping abnormalities wake to resurgent life, and blasphemously surviving nightmares squirm and splash out of their black lairs to newer and wider conquests.” Fuck yes. Please Sleeping Abnormalities, if you’re still out there, leave those unplumbed depths and destroy us soon!
It probably has a lot to do with the fact that Lovecraft was one of the only writers I had any interest in as a teenager, but I absolutely love his writing style. I adore Lovecraftian horror. I love how he took what he understood about the advances in modern science and used this not to spread hope for the future of humankind but to insist on the futility of all human life. We are nothing in even the minutest scheme of things. According to Lovecraft’s mythos, we were created by an ancient race of prawn-cucumbers to provide them with light entertainment. YES!
Although I own all of the Wordsworth editions of Lovecraft’s work, and these are the ones I’m using to order my rereading, I’m actually reading most of the stories from the Penguin editions because of the notes therein. I’m also using audiobooks and pdf versions. The Wordsworth edition are fine though; what they lack in commentary, they make up for in comprehensiveness. So important is Lovecraft to my reading habits that I need to have hard copies of all of his stories in my library.
Anyone reading this blog should have read Lovecraft. His fiction has affected so many of the other books that I review here. Kenneth Grant’s The Magical Revival, Thomas Ligotti’s Conspiracy against the Human Race, Pauwel and Bergier’s Morning of the Magicians, Anton LaVey’s Satanic Bible, Simon’s Necronomicon, and Stephen Sennitt’s Infernal Texts are all heavily influenced by Lovecraft. His influence on horror fiction is unmeasurable. Some novels like Michael Slade’s Ghoul and Garret Boatman’s Stage Fright feature beings directly from Lovecraft’s stories, but his influence can be found in countless ways in countless other novels and tales.
Like I said, I’m rereading Lovecraft to refresh my memory so that I can delve deeper into the realm of Lovecraftian occultism. Here’s a review of an interesting little pamphlet on that topic.
Cults of Cthulhu: H.P. Lovecraft and the Occult Tradition – Frater Tenebrous
Daath Publications – 1987
This short pamphlet contains the text of a lecture given in Leeds University in 1985. It’s credited to a lad named Frater Tenebrous who the internet is telling me is another name for Peter Smith. Peter Smith was a contributor to Stephen Sennitt’s Infernal Texts, and Sennitt actually dedicated the second half of that book to him and referred to him as “foremost scholar on the Necronomicon”. Only 123 copies of this were initially published, and they go for quite a lot of money these days. Fortunately, you can download pdf copies for free. This text contains a short biography of Lovecraft, descriptions of the major players in his pantheon and a very brief discussion of how Lovecraft’s fiction has shaped the rituals of a handful of occult groups (one of whom was led by Michael Bertiaux, yet another contributor to Sennitt’s book). I can’t say Cults of Cthulhu contained much information that I wasn’t already aware of, but it was only ever supposed to be “an introduction to the occult aspects of H.P. Lovecraft’s writings for potential initiates of the E.O.D.”. It made for pleasant reading on my commute to work one morning last week.
I’m gradually getting through the other stories and some even weirder texts of Lovecraftian occultism. Expect to see a few more posts on these over the next year.
Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn!