Crawling Chaos Magic – Lovecraft’s Legacy, Part 3

pseudonomicon phil hine.jpgThe Pseudonomicon – Phil Hine
New Falcon Publications – 2007 (Originally published in 1994)

I’ve read quite a few books of Lovecraftian occultism at this stage, and this was the best one yet. It’s a book of chaos magic. Chaos magic, as far as I understand it, is a very open form of magic. It is to free verse as goetia is to writing sonnets. The focus here is on results rather than rules and rituals.

While other books of Lovecraftian magic attempt to mix Lovecraft’s mythos with traditional forms of occultism, the Pseudonomicon encourages experimentation. A true Cthulhu druid should follow their intuition rather than the steps of a ritual. This disregard for traditional sequence fits in with Lovecraft’s tendency to use non-Euclidean mathematics as a method of evoking a weird atmosphere in his tales.

cthulhu.jpg

From the perspective of the layman, the behaviour that this book describes and encourages will seem ridiculous, and a skeptic might fairly describe this as a book on how to pretend that a collection of fantastic stories by a dead lad are based in reality. Neither view would be incorrect, but so what?

The book acknowledges that reading it might lead one to madness, and anyone who takes its advice and smears themselves in shit while dancing around a graveyard at night might well be seen as insane. On the other hand, who am I to act as though my take on reality is any more accurate than that of the Cemetery Scat Man. The more I think about it, the more I believe that what a person perceives IS their reality. If the Pooey Ghoul believes his actions are allowing him to speak to the Great Old Ones, I can’t disagree. Reality, existence and their links to perception are too inherently unknowable for anyone to assume that their take on these concepts is any more sensible than another’s.

This book does get pretty weird. In an appendix near the end, the author describes his experience of being possessed by Tsathoggua, Clark Ashton Smith‘s giant toad god who features in Lovecraft’s Whisperer in the Darkness. Cool.

This book does a pretty good job of balancing the Mythos stuff with a practical way of incorporating it into magical workings. If i was ever going to practice magic, i think i’d go for something like this.

haunter of the dark lovecraft.jpg
The Haunter of the Dark – H.P. Lovecraft

Wordsworth – 2011

This is the second and biggest entry of the Wordsworth Lovecraft editions. It contains the following stories:
Celephaïs, Herbert West – Reanimator, Pickman’s Model, Polaris, The Cats of Ulthar, The Colour Out of Space, The Doom That Came to Sarnath, The Dream-Quest of Unknown Kadath, The Dreams in the Witch House, The Haunter of the Dark, The History of the Necronomicon, The Horror at Red Hook, The Other Gods, The Shadow out of Time, The Shadow Over Innsmouth, The Shunned House, The Silver Key, The Statement of Randolph Carter, The Strange High House in the Mist, The Thing on the Doorstep, The Unnamable, the essay Supernatural Horror in Literature and Fungi from Yuggoth, a collection of weird sonnets.

The items listed in blue are not contained in the Penguin editions of Lovecraft’s work. I’m not going to say much about this collection other than that I really enjoyed reading most of these stories again. The Thing on the Doorstep and The Dreams in the Witch House are so deadly. Also, I’m pretty sure The Shadow Over Innsmouth is tied with Whisperer in Darkness as my favourite Lovecraft story. I’m not mad about all of the Dream Cycle stuff, but parts of it (The Other Gods) are awesome.

At this stage I’ve finished rereading all of the stories that Lovecraft wrote by/for himself that were included in the Penguin editions. It has been very enjoyable, and I feel that I’m now in a much better position to understand a lot of the occult texts that are based on his works. I can now sensibly distinguish a Shoggoth, Yuggoth and Yog-Sothoth. I still have one more entry in the Wordsworth series to read, but that one is comprised of collaborations that Lovecraft worked on. I’m quite excited about that as I’ve only read one of the stories it contains before. After I review that, I’m going to do a post on all of the stories that are not collected in the Wordsworth series. Both posts will also include an obscure work of Lovecraftian occultism. Stay tuned.

Hacking the Necronomicon – Lovecraft’s Legacy, Part 2

In this series of posts, I’m reviewing books on Lovecraftian Occultism alongside the Wordsworth collections of Lovecraft’s tales. I’m finding it quite insightful to read through the bizarre works inspired by Lovecraft’s horrors while these horrors are still fresh in my mind. This post delves a little deeper into Lovecraftian Occultism, focusing on two books about the Simon Necronomicon, a book that is itself directly inspired Lovecraft’s work. I have previously reviewed the Necronomicon itself and Dead Names: The Dark History of the Necronomicon.

necronomian workbook necronomicon.jpgNecronomian Workbook: Guide to the Necronomicon – Darren Fox 
International Guild of Occult Sciences – 1996

This was written by Darren Fox, otherwise known as Brother Moloch. This is actually the same guy that published The Dark Arts of Tarantula, one of the silliest books I’ve ever read. His book on the Necronomicon isn’t much better.

He claims that Lovecraft astrally traveled to another dimension where Abdul Alhazred was real. This is where our boy H.P. discovered the Necronomicon, but he told himself it was all just a dream.

There’s at least 2 versions of the Necronomicon out there. Brother Moloch acknowledges that they might be fake, but posits that coherent forgeries can still give effective magical instruction.

necronomicon simonProbably fake, but who cares?

What follows is basically a bunch of tips on how to perform each of the different rituals and prayers in the Simon Necronomicon. Large quotations are taken from Simon’s book.

Although Moloch has warned his reader not to contact Cthulhu, he gives a ritual to do exactly that. This ritual mixes names from Lovecraft’s pantheon and quotes from Crowley’s Book of the Law into a ritual that sounds like it comes straight from a Solomonic grimoire.

Next, there’s a bunch of bullshitty grimoire styled spells with the names of a few Lovecraftian entities thrown into the mix. It’s mostly the usual stuff: to kill an enemy, to increase sexual potency, to hold back evil… but, there’s also a spell to get money that directly addresses Cthulhu. Yes, performing this spell involves asking the great priest Cthulhu for cash. In At The Mountains of Madness, Lovecraft explains that human beings were created solely for the amusement of a race that were in conflict with Cthulhu’s spawn. We are less than shit to Cthulhu, yet Brother Moloch suggests that we should ask him to help us make some money.

Moloch also describes his visit to Leng. He made a nice a cup of tea, had a warm bath, did some yoga exercises and then imagined himself walking down a stairs to the center of the world. He opened a door down there and walked into Leng, easy as that.

After this, there’s some poems that the author pinched from a 1903 book on the Devils and Evil Spirits of Babylonia, and some essays that he stole off the internet. One of these essays is called “The Aeon of Cthulhu Rising”. A quick google search reveals that its author was none other that Frater Tenebrous, the author of Cults of Cthulhu, the pamphlet I reviewed in my last Lovecraft post.

The other essay, “LIBER GRIMOIRIS: The Parallels of East and West: Termas, Grimoires and the Necronomicon”,  is by a guy called Frater Nigris. It basically says that the Necronomicon might be real. Searching the author’s name brings up other essays on Thelema and the like.

The book ends with a description of the author’s journey through Kenneth Grant‘s Lovecraftian Sephirot. It’s very confusing.

Overall, this book was utter rubbish. The spelling and grammar are utterly atrocious, and the author seems to have completely missed the distinctive and complete apathy of Lovecraft’s entities towards the human race.

Shite.

hidden key necronomicon.jpgThe Hidden Key of the Necronomicon – Alric Thomas
International Guild of Occult Sciences – 1996

This is a shockingly uninformative pamphlet on the Necronomicon. It was put out by the same publisher as the Necronomian Workbook. It’s only a few pages long, and most pages are taken up with diagrams from the Simon Necronomicon. Some of these images have been slightly edited. The author acts as if these edits will blow the Necronomicon open for the practitioner. Ugh. This is poorly written garbage. No effort was put into creating this piece of trash.

 

the lurking fear lovecraftThe Lurking Fear – H.P. Lovecraft
Wordsworth – 2013

This is the fourth collection of Lovecraft’s writings put out by Wordsworth Publishing. It contains the following tales:

The Lurking Fear, Azathoth, Beyond the Wall of Sleep, Ex Oblivione, Facts Concerning the Late Arthur Jermyn and His Family, From Beyond, Hypnos, Memory, Nyarlathotep, The Alchemist, The Beast in the Cave, The Moon-Bog, The Music of Erich Zann, The Outsider, The Picture in the House, The Quest of Iranon, The Street, The Temple, The Terrible Old Man, The Tomb, The Transition of Juan Romero, The Tree, The White Ship, What the Moon Brings, The Rats in the Walls, He, In the Vault, Cool Air, The Descendant, The Very Old Folk, The Book, The Evil Clergyman, and the short essay, Notes on Writing Weird Fiction.

The titles in green were not included in any of the Penguin collections of Lovecraft’s work, and so I hadn’t read them before. Some of them (Ex Oblivione, Azathoth, Memory) are very short, but also very cool. The essay on Weird Fiction is very interesting, and I plan to write more about it in the future.

Overall, this collection is quite a mix of stuff, both in terms of content and quality. A lot of these stories are quite short, and don’t really fit neatly in with either Lovecraft’s Cthulhu Mythos or his Dream Cycle. (Most of those tales are collected in the first and third Wordsworth collections respectively.) What you’ll find in this book is a collection of odds and ends. It features tales that Lovecraft wrote as a boy (The Beast in the Cave), stories that were never meant to be published and originally only included in private letters to Lovecraft’s friends (The Very Old Folk), and horror classics that just don’t fit in with his other tales (The Rats in the Walls).

Some of these stories are fairly shit. I read The Tree a couple of times, and I still feel like I don’t get it. A few of the other stories (The Lurking Fear, In the Vault, Arthur Jermyn…) are fine, but don’t come close to the atmosphere or excitement of Lovecraft’s more famous tales. Some are absolutely deadly though. I had totally forgotten The Picture in the House. It is fantastic.

The Horror at Red Hook is the story that people usually point to when they want to show that Lovecraft was a horrible racist, but that’s a horror story that features racism. The Street is just a racist story and a shit one at that. If you want a clearer look at Lovecraft’s racism check out this vile little poem or his letters. In one letter he says of Adolf Hitler, “I know he’s a clown, but by God I like the boy!” I considered writing more about Lovecraft’s xenophobia, but the internet is already full of articles about it and I don’t actually care that much. If you’re triggered by some of the passages in his stories, just remind yourself that he died poor and lonely and keep reading.

I’m glad to have this book on my shelf. Even though it’s basically a leftovers collection, I really enjoyed reading it. This is the shortest book out of Wordsworth’s editions of Lovecraft’s work, and it’ll probably be a few months before I write parts 3 and 4 of this series of posts.

 

 

 

Echoes from the Darkness – Lovecraft’s Legacy, Part 1

While reading John L. Steadman’s H.P. Lovecraft and the Black Magickal Tradition last year, I decided that the time had come for me to reread Lovecraft. Too many of the books I read and plan to read reference his stories, and it was getting to stage where I was mixing up my Shoggoths, Yuggoths and Yog-Sothoths.  In order to remedy this embarrassing situation,  I started going back over Lovecraft’s tales, including the stories that aren’t included in the Penguin editions of his work.  I started on this collection during the summer, reading a story here and there, between other books. I haven’t strictly limited myself to the stories in this collection, but it’s the first of the Wordsworth series that I’ve completed, so I’m reviewing it first.

whisperer in darknessThe Whisperer in Darkness – H.P. Lovecraft
Wordsworth – 2007

All of the other entries in the Wordsworth series contain stories that are not included in the Penguin editions, but this collection was all stuff I’ve read before. It contains:

Dagon
The Nameless City
The Hound
The Festival
The Call of Cthulhu
The Case of Charles Dexter Ward
The Dunwich Horror
The Whisperer in Darkness
At the Mountains of Madness

These are obviously some of Lovecraft’s finest. The Whisperer in Darkness has long been my favourite of his, but I couldn’t remember what happens at the end. It’s fucking fantastic. There were gross parts in this story and in Charles Dexter Ward that I had also forgotten about. I was also very pleasantly surprised by how much I enjoyed the Call of Cthulhu. I have read an awful lot of horror fiction since the last time I read this classic, and I was expecting that it might not seem as effective to me now. If anything, I enjoyed it more than ever. There’s so many passages throughout that story that I paused to reread several times on account of their exceptional awesomeness. It took another half year to get around to writing this review though, so I’ve forgotten the specifics. In fact, the only story from this collection that I’ve read within the last 4 months has been At the Mountains of Madness. It’s only about 4 years since I previously read this story, so much of it was still in my head, but it still managed to give me a few chills. There’s one part near the end where he says, “It is absolutely necessary, for the peace and safety of mankind, that some of earth’s dark, dead corners and unplumbed depths be let alone; lest sleeping abnormalities wake to resurgent life, and blasphemously surviving nightmares squirm and splash out of their black lairs to newer and wider conquests.” Fuck yes. Please Sleeping Abnormalities, if you’re still out there, leave those unplumbed depths and destroy us soon!

It probably has a lot to do with the fact that Lovecraft was one of the only writers I had any interest in as a teenager, but I absolutely love his writing style. I adore Lovecraftian horror. I love how he took what he understood about the advances in modern science and used this not to spread hope for the future of humankind but to insist on the futility of all human life. We are nothing in even the minutest scheme of things. According to Lovecraft’s mythos, we were created by an ancient race of prawn-cucumbers to provide them with light entertainment. YES!

Although I own all of the Wordsworth editions of Lovecraft’s work, and these are the ones I’m using to order my rereading, I’m actually reading most of the stories from the Penguin editions because of the notes therein. I’m also using audiobooks and pdf versions. The Wordsworth edition are fine though; what they lack in commentary, they make up for in comprehensiveness. So important is Lovecraft to my reading habits that I need to have hard copies of all of his stories in my library.

wordsworth lovecraft

Anyone reading this blog should have read Lovecraft. His fiction has affected so many of the other books that I review here. Kenneth Grant’s The Magical Revival, Thomas Ligotti’s Conspiracy against the Human Race, Pauwel and Bergier’s Morning of the Magicians, Anton LaVey’s Satanic Bible, Simon’s Necronomicon, and Stephen Sennitt’s Infernal Texts are all heavily influenced by Lovecraft. His influence on horror fiction is unmeasurable. Some novels like Michael Slade’s Ghoul and Garret Boatman’s Stage Fright feature beings directly from Lovecraft’s stories, but his influence can be found in countless ways in countless other novels and tales.

Like I said, I’m rereading Lovecraft to refresh my memory so that I can delve deeper into the realm of Lovecraftian occultism. Here’s a review of an interesting little pamphlet on that topic.

cults of cthulu tenebrous.jpgCults of Cthulhu: H.P. Lovecraft and the Occult Tradition – Frater Tenebrous
Daath Publications – 1987

This short pamphlet contains the text of a lecture given in Leeds University in 1985. It’s credited to a lad named Frater Tenebrous who the internet is telling me is another name for Peter Smith. Peter Smith was a contributor to Stephen Sennitt’s Infernal Texts, and Sennitt actually dedicated the second half of that book to him and referred to him as “foremost scholar on the Necronomicon”. Only 123 copies of this were initially published, and they go for quite a lot of money these days. Fortunately, you can download pdf copies for free. This text contains a short biography of Lovecraft, descriptions of the major players in his pantheon and a very brief discussion of how Lovecraft’s fiction has shaped the rituals of a handful of occult groups (one of whom was led by Michael Bertiaux, yet another contributor to Sennitt’s book). I can’t say Cults of Cthulhu contained much information that I wasn’t already aware of, but it was only ever supposed to be “an introduction to the occult aspects of H.P. Lovecraft’s writings for potential initiates of the E.O.D.”. It made for pleasant reading on my commute to work one morning last week.

I’m gradually getting through the other stories and some even weirder texts of Lovecraftian occultism. Expect to see a few more posts on these over the next year.

Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn!