Season of the Witch : How the Occult Saved Rock and Roll – Peter Bebergal
Penguin – 2014
I like rock’n’roll and books about the occult, but I found this quite boring. Peter Bebergal seems to have set his sights a bit too high. His definition of Occult is very broad (as I suppose it should be), and he attempts to use this open Occultism to spin a narrative that links all strains of rock music.
Season of the Witch contains all the stuff you’d expect- the Stones and their connection to Kenneth Anger, Jimmy Page and Aleister Crowley, Black Sabbath and the Devil… but it also includes lengthy discussions on the influence of voodoo on blues music and prog rock’s fascination with sci-fi. The topics being discussed are interesting, but the scope of the book is so large that the author doesn’t get to go into a huge amount of detail. Also, the book mostly focuses on mainstream artists. There’s a bit on Throbbing Gristle and their offshoots, and Magma get a mention, but the Beatles and Pink Floyd get far more coverage. Berbegal also discusses Coven, Black Widow, and Mercyful Fate, but I’ve read books that go into far greater detail on that kind of stuff.
I feel a bit bad about this review. Berbegal comes across as sincerely interested in the subject matter, and he knows what he’s writing about. This would probably be more interesting to a person who hadn’t already spent a lot of time reading about the links between rock music and the occult.