Asamatsu Ken’s Kthulhu Reich

Kthulhu Reich – Asamatsu Ken
Kurodahan Press – 2019

This is a book of short stories by Asamatsu Ken, a Japanese horror author who specialises in Lovecraftian horror. I had intended for Robert Bloch or Robert E. Howard to be the next Cthulhu Mythos I read, but saw this and could not resist the promise of a Cthulhu Nazi crossover. Although the book was published in 2019, I believe all of the stories were written in the late 1990s.

The first story in here is a fairly straightforward reincarnation tale. I wasn’t super impressed. It wasn’t very Lovecrafty. The second story was about some some Nazis looking for the Mask of Yoth Tlaggon. This had an evil wizard and some spirits. It was better than the first story. I really liked how the author uses footnotes to include information on real historical events, occult theories and his own fictional characters. I enjoy the blatant disregard for the boundary between fact and fiction. The next story was basically At The Mountains of Madness with Nazis. It was pretty good.

Things got really interesting for ‘April 20th, 1889’, the 4th tale in the collection. It’s about Jack the Ripper teaming up with Nyarlathotep to summon the unborn Hitler. This is an utterly ridiculous combination, but it works. The next two stories are about Nazis getting attacked by Dracula and Dagon. I loved them. The final story, ‘Dies Irae’, is a mixture of historical fiction and the weird crustacean creatures from the The Whisperer in the Darkness.

I really enjoyed this collection.

The first story is not awful, but I reckon it’s the weakest. As I was reading it, I started thinking about why I enjoy Lovecraftian fiction. I like the pessimism in Howard’s writing, but I also enjoy his style. I know some people hate how long winded and archaic his writing is, but I don’t. This style is altogether absent in Kthulhu Reich, a translation of a modern mythos writer, and I needed the author to make up for this somehow. Fortunately, these ludicrous stories that weave in different historical figures, aspects of occultism and Lovecraftian entities were quite sufficient. You have to be careful with modern Cthulhu Mythos fiction. I know there’s lots of kitschy, cutesey Cthulhu stories out there right now. Fuck that. Ken’s stories are bonkers, but there’s a darkness behind them that keeps things legit. I would be happy to read more of Asamatsu Ken’s books in the future.

Sorry for the recent lack of posts. I have a few big articles I’m working on, and I’d rather work on those than pump out quick reviews of shit books nobody cares about.

H.P. Lovecraft and the Black Magickal Tradition – John L. Steadman

h.p. lovecraft black magickal tradition - john lH.P. Lovecraft and the Black Magickal Tradition – John L. Steadman
Weiser – 2015

H.P. Lovecraft was a horror writer who did not believe in the supernatural. Despite his clear declarations of the contrary, some people believe that Lovecraft’s horrors were real. This book examines both the beliefs of those people and the beliefs of other occultists that have some similarities to the ideas in Lovecraft’s fiction.

Let’s start with the first group, the nutjobs that believed that Lovecraft was psychic. Both Simon and Kenneth Grant believed that Lovecraft had channeled his horrors from another dimension. I’ve talked plenty of shit about those lads before, so let’s just say that Grant was mental and full of crap, and “Simon” is a con-artist. Steadman, the author of this book, spends paragraphs defending the legitimacy of the Simon Necronomicon, but in a note at the end of the book he concedes that Simon might just be Peter Levenda. Also, Steadman, while discussing Simon’s work, refers to Michael Baigent as “a reputable scholar”. When I was reviewing Dead Names, the book in which Simon referenced Baigent, I called him out for referencing a bullshit artist. Dead Names might best be described as a work of pseudo-non-fiction though, so a reference to a bullshit artist doesn’t really make it any less enjoyable. Steadman’s book, however, is presented as an academic work. How could any person hoping to be taken seriously refer to the author of Holy Blood, Holy Grail as “a reputable scholar”? Come on.

lovecraftian occultistsThe authors of these occult texts were clearly influenced by Lovecraft. It’s a pity they’re all garbage.

There are also chapters in here on Chaos Magicians and LaVey’s Church of Satan. Like Simon and Grant, these lads deliberately brought Lovecraftian elements into their belief systems, and although I wasn’t hugely interested in the precise ways in which they did so (I’ve already read lots of the original literature being summarized here.), I can’t complain about their inclusion in this book.  This stuff on the Lovecraftian occultists was fine. The chapters on Wicca and voodoo were not.

Wicca and voodoo have nothing to do with Lovecraft, but Steadman spends chapters trying to show how these belief systems are similar to some of Lovecraft’s ideas. There is no reason to believe, nor has anyone ever suggested, that Lovecraft was responsible for the foundation of Wicca or Voodoo, and I thought that the purpose of these chapters was to show how Lovecraft’s ideas resembled parts of these foreign belief systems in an attempt to suggest that he was psychically in tune with their practitioners and/or spirits. However, in the conclusion to the book, Steadman claims, “I have shown that Lovecraft has had an indirect, though clearly definable, influence on current Vodou and Wiccan practices.” That’s not what I got out of what he has written at all. In saying that, I have to admit that I found it extremely difficult to pay attention to these boring, lame chapters.

Steadman goes into quite a lot of detail on the beliefs and practices of wiccans, voodoo practitioners, members of the Typhonian O.T.O., and Satanists. I’m so sick of reading this kind of rubbish that I found myself skimming large passages of it. I suppose it’s my fault for choosing to read another book on the occult.

lovecraft collectionsI’ve been meaning to go back over Lovecraft’s own work for a while. It has been about 10 years since I last read some of these stories. I’m going to use the Wordsworth editions next.

H.P. Lovecraft and the Black Magickal Tradition is not a good book; it’s actually quite unpleasant to read. It’s the literary equivalent of Nickelback writing an album about a Morbid Angel song. The academic presentation combined with the author’s willful naivety is infuriating. There was a part in here where Steadman tries to make it seem that it’s common knowledge that the Knights Templar were Satanists. If he’s trying to get away with rubbish like that, who knows what other falsehoods he has slipped in here. I’d be a bit meaner, but this book is only a few years old and the author has an internet presence, so he might see this review. John L. Steadman, if you’re reading this, I’m sorry, but your book is handicapped.

 

The Atlantean High Priest Klarkash-ton

klarkash-ton cycle clark ashton smith.jpgThe Klarkash-Ton Cycle – Clark Ashton Smith
Chaosium – 2008

Collecting books of weird fiction can be a frustrating hobby. Many writers’ short story anthologies are out of print, expensive and yet available online for free. Other collections are haphazardly thrown together by careless publishers only looking to make some quick cash. There are decent collections out there; I’ve read Penguin’s editions of Lovecraft, Blackwood and Machen, but these are generally just primers that include the 10 most famous stories by the writer. There’s nothing wrong with these, but I always feel that they might be leaving out some true gems. In a perfect world, a publisher would put out complete or at least exhaustive, annotated, multi-volume collections of the writings of Lovecraft, Bierce, Machen, Blackwood, Chambers, Smith and all the other lads.

Now, there’s a publishing company called Chaosium that had an idea to do something along those lines. Their Machen collections were a decent effort, although the tales in each volume get progressively worse. Their Robert W. Chambers collection claims to complete, but it’s not really.  From what I have read of Chambers, this is probably a good thing, but the collection shouldn’t claim to be complete if it’s not. This collection also includes isolated chapters from The Tracer of Lost Persons because those chapters are a bit weird. I’m sorry; I know I just complained because this collection wasn’t entirely complete, but I find the inclusion of isolated weird chapters from a novel to be really annoying. Give me the whole thing, or give me nothing at all.

The only other Chaosium book I own is a collection of stories by Clark Ashton Smith. I picked it up on a whim at a used bookstore a few years ago. It was one of those ‘I’m the only customer in this shop, so I better buy something’ situations. It sat on my shelf for a good while, but last week, I picked it up off the shelf and dove in.

Let me tell you something; Clark Ashton Smith is deadly. I don’t really want to analyze these stories too deeply. I’ll just say that they are exactly the kind of thing that I want to read: evil wizards, cosmic insect gods, infernal texts of black magic including the fabled Necronomicon, bodily dismemberment with a surgical saw… Holy Fuck, this stuff is amazing.  I need more stories like this in my life. Delicious.

Now that I have gotten my feelings about the writing of Clark Ashton Smith out of the way, I want to address my feelings about this book. It was quite disappointing on two counts.

The typos.
How was this book was allowed go into print? It is full of typos. They’re frustrating typos too. Normally, a typo will consist of a misspelled word, e.g. ‘horesradish’ instead of ‘horseradish’. Big deal, we can all figure that kind of thing out. However, the typos in this book are all incorrect words, e.g. ‘ton’ instead of ‘top’. It’s as if the person who typed the text allowed Microsoft spell check to do their proofreading for them. This is actually far more disruptive to the stories than simple misspellings would be. There was one point in which a character ‘picks up his face’ that had me rather confused. After rereading the passage, I realised that he had actually been picking up his mace. There’s at least 2 or 3 of these mistakes in each story too. I’ve seen several other people complain about this issue online, and I have to say that it was very frustrating. There is zero doubt in my mind that this book was not proofread before being published, and I think that reflects very poorly on Chaosium.

The Story Selection
The stories in here are great. Please don’t think that I am saying otherwise. My problem is with the way that the editor has split Smith’s stories between this and at least two other volumes. This collection supposedly contains the Klarkash-Ton Cycle. Klarkash-Ton was the author’s pen-name when writing to his friend, H.P. Lovecraft, and these are the stories that are most akin to Lovecraft’s own tales. (Incidentally, Klarkash-Ton and Lhuv-Kerapht briefly appear together in the last book I reviewed, Robert Anton Wilson’s The Sex Magicians.) Chaosium also published the Tsathoggua Cycle and the Book of Eibon, both of which are mostly comprised of tales by Smith. We have then Chaosium’s distinction between Smith’s Lovecraftian tales, his tales about Eibon, and his tales about Tsathoggua. But Tsathoggua also appeared in Lovecraft’s work, rendering him somewhat Lovecraftian, and Eibon appears in several of the stories in the Klarkash-Ton Cycle. Why the fuck didn’t they just issue 3 ‘best of Clark Ashton Smith’ collections and skip the silly attempts to separate the stories into cycles. I wouldn’t even care if the three collections contained the exact same sets of stories, just don’t give me this ‘3 cycles’ bullshit. Robert M. Price, the editor, addresses this categorization in the introduction, but I wasn’t at all impressed.

One other thing to note about this book, and I’m not saying that this is a bad thing, is that the versions of some of the stories in here are based on original, unpublished drafts of those stories. Also, the final story in here, The Infernal Star, is incomplete – Smith never finished writing it. This book, if it were not so full of spelling mistakes, would probably be great if you were a Smith collector. It’d also be a pretty good starting point if you hadn’t read Smith before. However, even though I haven’t read it, I would suggest buying the Penguin collection if you’re in that position. I’m sure the stories will be great, and the editing has to be better than this muck.

Smith’s writing is good enough to allow me to see past Chaosium’s weird categorization of his stories into three separate cycles, but the absolutely pathetic standard of this book really makes me want to avoid giving that company any more of my money. Their books, although all print-on-demand jobs, aren’t cheap either. Penguin have a collection of Smith’s work, and I’m sure it’s of a far higher standard, but it’s also much smaller. Maybe I’ll buy that one and try to track down the missing stories online.

drake penguin vs chaosium

Hail to the King!

Towards the end of last year, I wrote a long post about the work of Stephen King. I had read nothing but King for a few weeks prior to writing that, and so I decided to give him a break for a while. He has been showing up in the news recently due to his hilarious behaviour on twitter and for the record breaking new trailer for It, and so I decided to indulge myself with a smattering of his marvelous brand of trashy horror fiction.

it stephen kingIt – 1986

I’ve wanted to read this book for a long time. I remember being thoroughly creeped out by the video box of the 1990 movie version when I was a kid but being a little disappointed when I actually got to sit down and watch It. With the new movie coming out in September, I decided that I had better read the book now so that I can act cool and knowledgeable to anyone who mentions it to me in the coming months.

In some ways, It is a brilliant novel. The characters are great, the scary bits are very scary, and the transitions between past and present are really well executed. I also have personal reasons for enjoying the story of a gang of losers getting into rock fights with bullies, building hideouts in the woods, and breaking into abandoned houses. I was a little older than the characters in the book when I went a very similar, although significantly less supernatural, set of adventures myself.

Several scenes in the book involve the kids breaking into an abandoned house only to meet It in different ghoulish forms. When I was 18, my friends and I broke into an abandoned house and went rummaging through the cellar. When we were down there, we saw a strange light glimmering on the wall by the stairs. This was rather frightening as it was well after dark, and that set of stairs was our only escape route. We grabbed what we could from the debris on the ground (a stick, a rope, a rusty grill…) and prepared to do battle with whatever it was that was coming down the stairs.

We waited in silence for several minutes, but nothing moved and the light eventually went away. Afterwards, as we sat on some chairs that we had fashioned from old breezeblocks, we came up with a story to explain the peculiar glare. It had been the ghost of the former resident of the house, an old woman who was none too pleased with our presence in her home. We wrote a song about it that began:

In the hoose (sic), the times we had.
Our antiques (sic) made the Granny mad.
Her toilet, it was brown and crappy;
in the bin, her vaginal nappy.

shitty toilet
Her toilet was indeed both brown and crappy.

Anyways, there are several genuinely creepy scenes and ideas in here, but It is a very long book, and in truth, it’s a little incohesive. By 1986, Stephen King was the most popular novelist in the world. He could have written complete rubbish, had it published and sold a million copies. I’m not saying that this is rubbish, but I reckon it could have done with a bit of editing. Some bits aren’t really unnecessary to the lengthy plot, and some crucial plot elements (It‘s origin, the Turtle, how some adults can see Pennywise) are given scant explanation. This doesn’t detract too much from the book however; when a novel’s opening scene depicts a clown dragging a small child into a sewer to eat him, one aught to adjust their expectations accordingly. Don’t question the plot’s coherence; just turn your brain off and enjoy the trashy horror goodness.

When reviewing an extremely popular work, I try not to repeat information or ideas that will be available from thousands of other blogs and websites, but I will say that the infamous sex scene towards the end of this novel was damn weird.

I tried to rewatch the old movie version right after finishing the novel, but it’s very long and aside from Tim Curry, the acting is awful. I lasted about 20 minutes before watching a best-bits compilation on youtube. I will definitely be going to see the new version when it comes out.

 

cycle of the werewolf stephen kingCycle of the Werewolf – 1983

This story is packaged as an illustrated novel, but in reality, it’s shorter than some of King’s short stories. It’s about a werewolf on the loose in a small town. There’s nothing in here that you wouldn’t expect from the title and cover of the book. It’s not an unpleasant read, but I don’t think anyone would say that this is King at his finest. I read it on my commute to work one day.

 

carrie stephen kingCarrie – 1974

 King’s first novel, Carrie, is also one of his best. I started it one morning last week and had finished it by that afternoon. Obviously, this is a very popular work, one that has spawned 3-4 movie versions, and I was familiar with the plot before reading it, but that didn’t stop me from enjoying it immensely.

This is nowhere near as ambitious as a novel like It, but I reckon Carrie is actually the better book. The reader quickly comes to understand Carrie’s plight and to lust for her revenge, but this book also encourages its readers to consider how they treat the Carries in their own lives. It’s a simple formula, but it’s entertaining and effective.

 

I love Stephen King, but I’ll probably leave him alone for another few months. He’ll doubtlessly appear on this blog again. Oh, and sorry for the recent lack of posts; there should be a few new ones popping up fairly soon.

The Maker of Moons – Robert W. Chambers

maker-of-moonsArchive.org and Librivox Editions (Both from original 1896 text)

This is the collection of short stories that Robert W. Chambers put out after The King in Yellow. There are a other collections of Chamber’s short stories that use the Maker of Moons title that contain a variety of tales, but this is a review of the original 1896 collection. I started it a few weeks ago because I was in need of an audiobook to listen to while doing housework. I didn’t have very high hopes, as it seems to be common knowledge that Chambers wrote far more bad than good, but anything beats making dinner in silence. I really liked most of the King In Yellow, even some of the more romantic tales, but this collection is of a generally lower quality. Including a few soppy stories in a collection otherwise brimming with ghouls and horror is acceptable, but forcing a few quirky tales into a collection of stories about loverboys going fishing makes for a fairly shit book in my opinion.

Here’s my rundown of the stories:

The Maker of Moons
The ‘weirdest’ and most entertaining tale in this collection, The Maker of Moons features weird creatures and strange dimensions. It’s the only story in here that comes remotely close to horror, but in comparison to Chamber’s earlier stories, this remains very much on the fantasy side of weird. I’d save this one for last if I were you.

The Silent Land
A lad with a pet bird goes fishing and falls in love with a strange woman. This is a bit like a really boring version of the title story of the collection.

The Black Water
A lad is in love with a girl. He has a sore eye. This story is shit.

In the Name of the Most High
Chambers was obviously a fan of Ambrose Bierce, and this story could have been taken right out of the Tales of Soldiers section from Bierce’s In the Midst of Life. Unfortunately, Tales of Soliders was my least favourite of all Bierce’s collections, and this reads as a shit version of a shit story. Awful.

The Boy’s Sister
A lad falls in love with a boy’s sister. Lame.

The Crime
A lad goes fishing and falls in love. The only crime here is the inclusion of this hogwash.

A Pleasant Evening
This is a ghost story about a guy closely resembling the author. It’s not the worst thing in the collection; it starts off promising, but it falls apart towards the end. This is the only other tale that Chaosium deemed worthy to include in their Complete Weird Tales of Robert W. Chambers collection

robertwProbably all you need when it comes to Chambers.

The Man at the Next Table
Weird, yes, but not very good. Although it doesn’t appear in Chaosium’s selections from this collection, it is incorporated into Chamber’s novel, In Search of the Unknown, as the Pythagoreans chapter. In Search of the Unknown is included, in full, in the Chaosium collection, but judging by the original version of the story, I don’t know if I’ll ever get around to it. This is a story about a lad who meets a pair of metaphysical losers, and a cat.

If you have the Chaosium collection, I would recommend sticking to the stories included in there. The other tales in the original collection aren’t horrendously painful to read/listen to, but they are all rather similar and forgettable. I’m not going to rule out reading more Chambers in the future, but I’ll probably wait for a recommendation on which of his texts are actually worth reading.

The Divine Rite of King

When I as a kid, my parents would sometimes take me to the videoshop after mass on a Sunday and we’d rent two cassettes: a cartoon for the kids and a movie for my parents. As I got a little older, I found myself drawn to the wall over by the sales counter. This was where the horror films were stacked. I distinctly remember being fascinated by the video boxes of Return of the Living Dead III, Ghoulies, and The Howling II. There was one similarity shared by several of the other boxes; it was a man’s name, Stephen King. I remember the mildly titillating feeling of dread that came from looking at the boxes of Children of the Corn, Tommyknockers, It and Graveyard Shift. The covers made these movies look horribly disturbing. I mean, these looked like the kind of films that were supposed to make you mentally sick if you watched them. But underneath my revulsion there was an intense curiosity. I wanted to see those films badly.

My parents had seen a few of the better movies that had been made from King’s work. I remembering pestering them for every plot detail of the Shining  and Misery.  It was probably soon after that that my mam allowed me to read The Moving Finger, a short story from Nightmares and Dreamscapes. It was a bit like the Goosebumps books that I absolutely adored at the time, but this was for grownups. I thought Stephen King was super cool.

I’m the eldest of my siblings, and my parents were a bit stricter with me than they were with my sisters. When one of my teachers told my parents that students should spend 3 hours studying every day, my mam took that to heart. I was never locked in  room or anything, but I was expected to spend several hours a day on my schoolwork. It wasn’t worth fighting over, so I just stayed in the front room of our house by myself, pretending to study for a few hours every day. I can’t remember/don’t want to admit how I spent all of those hours, but there was a bookshelf in that room, and sometimes reading novels seemed like a better idea than reading textbooks. There were only four books on that shelf that looked remotely appealing, and I got through all of them. ‘What books were they?’, I hear you say. They were Roddy Doyle’s excellent Barrytown Trilogy and Bag of Bones by Stephen King.

bagofbonesBag of Bones (1998)
I read this about 15 years ago and can’t remember much about it. I believe I enjoyed it at the time. Anything beat studying.

theshiningThe Shining (1977)
I read this one a little over 5 years ago, and I absolutely loved it. At one point, I actually had to put the book down to take a breather and calm myself (I believe it was right after Danny went into room 237). I had seen Kubrick’s film several times before reading the book, and I reckon it’s better to do the film/book combo in that order.

nightmaresanddreamscapesNightmares & Dreamscapes (1993)
While my first experience with this short story collection was probably 20 years ago, I only got around to reading it cover to cover in 2014. (Well, I’ve never technically read it cover to cover to be honest; I read it in my old office job from a pdf file saved in my google drive). Some stories were great. My favourites were Popsy, Crouch End (a pastiche of Lovecraft), and Night Flier, the movie version of which is laughably bad. Dedication is weird and gross but definitely worth a read. I enjoyed this book, but I don’t think it was quite as good as King’s earlier short story collections.

nightshiftNight Shift (1978)
In October, I took a seasonal job in a powder factory. The work required a lot of standing still, and I was allowed to do it with headphones in. I decided to download some audiobooks to get me through the long dusty days, but I was fairly disappointed in the selection offered by illegal fire-sharing sites. Also, choosing the right audiobook to listen to at work is tricky; the book needs to be interesting enough to keep your mind occupied, but it also has to be light enough that you don’t have to take notes to keep up with the plot. My problems were all solved when I found a big torrent of Stephen King’s audiobooks. His writing is very straightforward, and it takes barely any effort to soak it in. Also, his short stories are about vampires, aliens, mutant rats, and men that turn into slime. If that doesn’t sound enticing to you, get the fuck off my blog and go listen to your Coldplay cds, you stupid fucking barrel of shit.
This is the first collection of short fiction that King published, and some of the stories are  great. Children of the Corn is maybe my favourite. The written text is so much better than the utterly shit movie version that came out in 1984. Graveyard Shift and The Mangler were both great too, but I haven’t watched their movie adaptations. One for the road and Jerusalem’s Lot both expand on the material from Salem’s Lot (reviewed below), and Night Surf is a brief glance at the idea that would become The Stand (also reviewed below). Not everything in here is brilliant, but I really like the fact that King is willing to take any silly idea that comes into his head and turn it into a story. The man has a brilliant imagination.

skeletoncrewSkeleton Crew (1985)
I think I stole a copy of this book from my Granddad’s house when I was 21. I remember taking it to France with me and reading most of The Mist on a plane. Frank Darabont’s version of the Mist is one of my favourite movies and one of the few times that I think a film improved on the book. I read another few stories after that, but lost the book soon thereafter. I started going through the remaining tales as soon as I finished Night Shift last month, and this one picks up right where that one left off.
Survivor Type is fantastic. I laughed heartily as I listened to it. I guessed what was going to happen only a little bit into the story, but I didn’t think King would have the guts to write a story like that. I was wrong. Stephen King definitely has the guts to write a story like that. This collection was thoroughly enjoyable.

4pastFour Past Midnight (1990)
I had found that Stephen King’s fiction was the perfect way to pass the time in work, but I had run out of short story collections. I read that Four Past Midnight was a collection of novellas, but I had never actually seen a physical copy of the book before I started listening to it.  It turns out that some of these “novellas” are longer than some of King’s most celebrated novels. Why were they released in a collection rather than individually? I reckon it was something to do with the fact they’re not exactly his most brilliant work.

The Langoliers
This is a weird one. It’s about a plane that flies into another dimension. The audiobook version is narrated by Willem Dafoe, and I really enjoyed it, but in retrospect, it doesn’t make much sense at all.
Secret Window, Secret Garden
This, in my opinion, was the worst story in this collection. The twist ending is apparent from the very beginning.
The Library Policeman
This was my favourite. It’s weird as fuck.
“Come with me, Ssson. I’m the Library Polissse Man”
The Sun Dog
A boy’s camera offers a glimpse into another reality. It’s an interesting concept I guess, entertaining enough.

I enjoyed Four Past Midnight, but I really doubt anyone would ever have heard of it if it wasn’t written by Mr. King. It would not be a good starting point for anyone interested in sampling his works.

salemslotSalem’s Lot (1975)
About 8 years ago, I stayed up late two nights in a row to watch the 1979 movie version of Salem’s Lot. I was unimpressed. I decided to give the book a chance right after finishing Four Past Midnight. I’m really glad that I did; it’s a very entertaining vampire story set in modern America. I’d strongly recommend that you read it if you haven’t.

thestandThe Stand: Complete and Uncut (1990)
By the time I started on the Stand, I had read/listened to nothing other than Stephen King books for almost two months. I’ll be honest, that was probably a bad idea. At 1153 pages, the uncut version of the Stand is King’s longest book. I never got bored when I was reading it; it is very entertaining, but towards the end, I started to really look forward to reading other books.

King takes his time setting the story up, but it all winds down fairly quickly. There’s three books in the stand. The first ends the world with a super plague, the second details how the two factions of survivors organize themselves, and the final book describes the conflict (or lack thereof) between the two groups. The concept is cool, but the pacing is silly. Given the overall plot of the book, the section on the plague wiping out most of humanity is too long. For the first few hundred pages, the Stand is a fairly straightforward disaster novel that describes a calamity that is in no way unrealistic. Then, after 99.6% of human beings have been wiped out, we find out that the survivors have been left with mild telepathic abilities, and the book quickly turns into a religious parable about the forces of good and evil. It’s already already very, very long, but I felt a bit cheated when the conflict that the previous 1100 pages had been leading to was literally prevented by the hand of God. I mean, come on Stephen; you could have got another 5000+ pages if the two sides had actually gone to war! I wouldn’t be surprised if the Stand had originally been even more epic in its scope and that King only realized that he wouldn’t be able all fit everything into one book after he had already written 700 pages. He has acknowledged that The Lord of the Rings was an inspiration for this work, but King’s fellowship only sets out for their Mordor (Las Vegas) in the third book of the Stand. If he had really used Tolkien’s trilogy as a model, the Stand would probably have lasted 5000-6000 pages.

The religious undertones of the book also irked me a little. I thought Randall Flag was fucking cool, and I definitely would have joined his side. Also, while several of King’s works feature a “Magical Negro”, Mother Abigail serves as a particularly cringeworthy example of this trope. King is definitely not a racist, but some of his writing depicts a slightly dated worldview.

All that being said, the Stand is filled with cool characters and awesome scenes, and I enjoyed reading it. Stephen King has acknowledged that he considers his work to be trash (good trash specifically), and I, for one, am not above reading trash. I fucking love trash, and I loved Trash.

I’ve enjoyed every Stephen King book that I’ve read, but right now, I am looking forward to reading something else. I didn’t know if I was going to review his books on this blog when I started binging on him in October, but the more that I think about it, the more I think that he deserves to be here. If you like horror, you’ve already read this guy. His books are spooky, gross, and seriously entertaining. I’m going to give it a few months, but I’ll definitely be reading more Stephen King in the future. Aside from his fiction, he also seems like a cool guy; he hates Donald Trump and he’s into AC/DC.

kingStephen King, I salute you!

My First Attempt at Writing Short Fiction

Recently, I had to take a writing class as part of my degree, and one of the assignments was to write a short story. I’ve long wanted to write fiction, but I always felt unprepared. The class I took was pretty great though. The instructor’s attitude was; “I don’t care if you don’t feel ready. You’re handing me in a story at the end of the week, so shut up and get to work.” It was the kick up the hole that I needed.

There were no topics assigned, but it was suggested that we write about something that we were interested in. Before putting pen to paper, I had to sit down to think about what interests me. I glanced at my desk, noticed the books on aliens and black magic that I had been reading, and shrieked, “Eureka!”

Here is the story I came up with. It may not be a masterpiece, but I feel that it’s a decent first attempt, and I think that anyone with an interest in the books I review will probably enjoy it. I definitely plan to write more short fiction in the future.

night shift

Night Shift – Duke De Richleau

The King in Yellow – Robert W. Chambers

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Wordsworth Editions – 2010 (Originally published in 1895)

This is the first time that I’ve reviewed a single book of short stories. Usually I wait until I’ve read everything (or at least all of the good stuff) by an author of short fiction, but this is a little different. (I do own a copy of the Complete Weird Tales of Chambers, but I haven’t got around to it yet.) The King in Yellow was one of Chamber’s earliest works, and it remains his best known; he spent most of the rest of his career writing popular romance novels, but nobody remembers them. Some of the tales in this book managed to induce a lingering discomfort (I read most of them just before going to bed and afterwards lay awake, thinking of the sinister King, sitting on his throne in his tattered yellow rags.), and overall, this book is pretty neat. If you haven’t read it and you’re wondering why it sounds familiar, it might be because elements of it were borrowed for the first season of True Detective.

So this is a collection of 10 short stories, only the first 4 of which really refer to the Yellow King. I’ll get to that later though, for now I’ll just explain the  others:

5. The Demoiselle d’Ys is a ghost story. It’s not scary, but it’s enjoyable (and not dissimilar to the stories of M.R. James).
6. The Prophet’s Paradise is really just a short series of of prose-poems. It was a bit arty for my liking.
7. The Street of the Four Winds doesn’t deal with the supernatural, but it is quite creepy.

After the above, all elements of the horrific, weird or creepy completely disappear.

8. The Street of the First Shell is confusing, dull, and not worth the effort that it requires.
9. The Street of Our Lady of the Fields is the romantic tale of an innocent young man who moves from one continent to another and falls madly in love with a rambunctious young woman. Needless to say, I was almost in tears by the end. This was beautiful.
10. Rue Barrée is a less interesting and ultimately less satisfying version of the previous tale.

Ok, let’s rewind to the best bit. The first 4 tales all revolve around an obscure book of horror and despair. (You might already see why I enjoyed this.) The King in Yellow is a two act play that drives its readers insane. Unfortunately for everyone concerned, it’s a very difficult book to avoid, and if you do start reading it, it seems impossible to put down. (It’s a bit like those modern horror movies where the people who watch the video get killed.) Just to clarify here; it’s the characters in Chambers’ stories that get to read the play, not his readers. He never gives an outline of the plot of the play, but each story begins with a short quote from it. The lack of details make it all the more intriguing, and although I am aware that it does not actually exist, I have spent a more than reasonable amount of time in the last week trying to figure out ways to get my hands on a copy. How fucking cool is the idea of a book that either possesses you or drives you mad? 10/10, would read. The snippets that Chambers does include drive me wild too. Check out the poem that introduces the first story:

Along the shore the cloud waves break,
The twin suns sink beneath the lake,
The shadows lengthen
In Carcosa.

Strange is the night where black stars rise,
And strange moons circle through the skies
But stranger still is
Lost Carcosa.

Songs that the Hyades shall sing,
Where flap the tatters of the King,
Must die unheard in
Dim Carcosa.

Song of my soul, my voice is dead;
Die thou, unsung, as tears unshed
Shall dry and die in
Lost Carcosa.

Absolutely deadly. Does Carcosa sound familiar? That might have something to do with the fact that it was first mentioned in An Inhabitant of Carcosa by Ambrose Bierce. Chambers borrowed other elements Bierce’s fiction, and elements of his own fiction were in turn borrowed by Lovecraft.

I really liked 7 out of the 10 stories in here, but it would really make more sense if the book was called ‘The King in Yellow and some other stuff”. The stories at the beginning are totally different to the ones near the end, and if you like weird tales exclusively, you won’t be missing out if you don’t bother with the last few. I would advise anyone who is going to read this to save the best for last; read the last 3 stories first, then move on to the 5th, 6th and 7th, and finish with the first 4.

As a final suggestion:
If you have read this book and haven’t seen the first season of True Detective, watch it now. If you’ve seen True Detective but haven’t read this, read it now.  If you haven’t read this nor seen True Detective, get your act together.

(Most of) The Short Stories of Ambrose Bierce

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The Collected Writings of Ambrose Bierce
Citadel Press – 1994 (Originally Published in 1946)

I bought this book for 2-3 stories in 2012, and only got around to reading it cover to cover within the last 6 months. This ‘collected works’ is not a ‘complete works’ as I had hoped for when I bought it. (There was a 12 volume edition of his works printed about 100 years ago, but I don’t know how complete that is either.) I found the first collection of short stories in here to be the least enjoyable by far. I spent more time getting through that first 100 pages than all of the rest put together. I found that all of the short story collections, aside from Negligible Tales, are available on Librivox as audiobooks, and so I loaded these onto my phone and listened to them whilst cooking dinner every day.

Bierce was a rather interesting man. I first heard of him in the third From Dusk Till Dawn movie. (The third film was way better than the second one, but nowhere near as good as the first. I haven’t watched the TV series.) I’ve also had to teach his short stories to high-school students on a few different occasions. There’s an essay in the introduction to this book that makes him out as a very cranky man, but I didn’t really get that impression from his stories. He definitely had a dark sense of humour, and he could be very, very funny. His wife and children all died before him, and at age 72 he moved to Mexico by himself and disappeared. In one of his last letters to his family, he wrote “Goodbye — if you hear of my being stood up against a Mexican stone wall and shot to rags please know that I think that a pretty good way to depart this life. It beats old age, disease, or falling down the cellar stairs. To be a Gringo in Mexico — ah, that is euthanasia!”
Ambrose Bierce was fucking cool.

I looked online for a comprehensive list of his short stories, but every list that I found omitted a bunch or contained the names of poems, essay and fables. In this post I have listed all of the stories in the editions of the texts that I read. (I will also list all of other known independent stories/collections at the bottom.)

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In the Midst of Life (Tales of Soldiers and Civilians)
(“A Horseman in the Sky”, “An Occurrence at Owl Creek Bridge”, “Chickamauga”, “A Son of the Gods”, “One of the Missing”, “Killed at Resaca”, “The Affair at Coulter’s Notch”, “The Coup de Grâce”, “Parker Adderson, Philosopher”, “An Affair of Outposts”, “The Story of A Conscience”, “One Kind of Officer”, “One Officer, One Man”, “George Thurston”, “The Mocking-Bird”, “The Man Out of the Nose”, “An Adventure at Brownville”, “The Famous Gilson Bequest”, “The Applicant”, “A Watcher by the Dead”, “The Man and the Snake”, “A Holy Terror”, “The Suitable Surroundings”, “The Boarded Window”, “A Lady from Redhorse”, “The Eyes of the Panther”)

This collection is split into two sections. The first is Tales of Soldiers. Although this contains some of Bierce’s more popular stories (An Occurrence at Owl Creek Ridge, Chickamauga…), it’s by far the hardest section to get through. Some of these stories are really dull, and almost every one of them features a twist ending. That said, this collection contains George Thurston, one of my all time favourite stories. (Imagine Hemingway crossed with Monty Python.)

The second section, Tales of Civilians, is where things get more interesting. I think it’s appropriate to refer to Bierce’s work as ‘weird fiction’, but it’s not quite weird in the same way that Lovecraft is weird. His stories often deal with the supernatural, but they’re rarely scary.

Different editions of this collection contain different stories.

Can Such Things Be?
(“The death of Halpin Frayser”, “The secret of Macarger’s Gulch”, “One summer night”, “The moonlit road”, “A diagnosis of death”, “Moxon’s master”, “A tough tussle”, “One of twins”, “The haunted valley”, “A jug of sirup”, “Staley Fleming’s hallucination”, “A resumed identity”, “A baby tramp”, “The night-doings at “Deadman’s””, “Beyond the wall”, “A psychological shipwreck”, “The middle toe of the right foot”, “John Mortonson’s funeral”, “The realm of the unreal”, “John Bartine’s watch”, “The damned thing”, “Haïta the shepherd”, “An inhabitant of Carcosa”, “The Stranger”)

These are best of Bierce’s darker, spookier tales. Again, none of these stories are terribly scary. It feels like they were written to make you think rather than to make you scream. I liked this collection though. This is the one you want if you’re a fan of Robert W. Chambers or the first season of True Detective. (See Haïta the Shepherd and An Inhabitant of Carcosa)

Different editions of this collection contain different stories.

Negligible Tales
(“A Bottomless Grave”, “Jupiter Doke, Brigadier-General”, “The Widower Turmore”, “The City of the Gone Away”, “The Major’s Tale”, “Curried Cow”, “, “A Revolt of the Gods”, “The Baptism of Dobsho”, “The Race at Left Bower”, “The Failure of Hope & Wandel”, “Perry Chumly’s Eclipse”, “A Providential Intimation”, “Mr. Swiddler’s Flip-Flap”, “The Little Story”)

Fairly negligible alright. There’s a few funny ones, a few very weird ones, and one (Jupiter Doke) that I don’t get at all. City of the Gone Away is definitely worth a read.

 

The Parenticide Club
(“My Favourite Murder”, “Oil of Dog”, “An Imperfect Conflagration”, “The Hypnotist”)

Without doubt, my favourite section/collection. These four tales are narrated by individuals who have killed their parents (and others). There’s a thoroughly enjoyable nastiness to these characters. The third story, An Imperfect Conflagration, contains what may be the single greatest opening line in the canon of English literature. Here is a text version, and here is an audiobook version. These stories are not scary in the least, but they are truly vile. Do yourself a favour and read them. Honestly. This is the good stuff.

 

The Monk and the Hangman’s Daughter
This is a novella. Apparently it’s Bierce’s retelling of a German Gothic novel. I didn’t know that when I read it back in early 2012. To tell the truth, it wasn’t shit or good enough to remember.

 

The following collections were not included in the book pictured above.

Present at a Hanging
(“Present at a Hanging”, “A Cold Greeting”, “A Wireless Message”, “An Arrest”, “A Man with Two Lives”, “Three and One are One”, “A Baffled Ambuscade”, “Two Military Executions”, “The Isle of Pines”, “A Fruitless Assignment”, “A Vine on a House”, “At Old Man Eckert’s”, “The Spook House”, “The Other Lodgers”, “The Thing at Nolan”, “The Difficulty of Crossing a Field”, “An Unfinished Race”, “Charles Ashmore’s Trail”, “Science to the Front”)

This collection is pretty good. The stories are mostly standard ghosty Bierce. Not hugely memorable, but still fun. The Librivox version was perfect for my bus ride into school. Link to Audiobook version here.

 

Bodies of the Dead
(“That of Granny Magone”, “A Ligh Sleeper”, “The Mystery of John Farquharson”, “Dead and ‘Gone'”, “A Cold Night”, “A Creature of Habit” )

This is quite similar to Present at a Hanging. These stories are all very short and about corpses. The first tale, That of Granny Magone, is very obviously an earlier draft of The Boarded Window. I found this collection in an online edition of Can Such Things Be? that also includes most of Present at a Hanging.

 

The Ocean Wave
(“A Shipwreckollection”, “The Captain of “The Camel””, “The Man Overboard”, “A Cargo of Cat”)

This is a short collection of stories about lads on a ship. Not great. Link here.

 

The Fourth Estate
(“Mr. Masthead, Journalist”, “Why I Am Not Editing “The Stinger””, “Corrupting the Press”, “The Bubble Reputation”)

Another collection of stories on a particular topic. This time it’s journalism. I read these stories out of order because I didn’t know there was a sequence. They didn’t make much sense to me at the time, and they weren’t interesting enough to reread. Link here.

 

I’ve spent a lot of time reading Bierce recently, and while I really enjoyed some of it, a lot of it I could have done without. There are collections out there of just his ghost stories, so  if you’re interested in checking him out, I’d recommend picking one of those up and downloading the audiobook version of the Parenticide Club. If you are a fan, the book that I have is actually pretty good. All of his good stories are in there, and anything else you can find online if you really want it. I didn’t review his fables or the Devil’s Dictionary because I haven’t read them start to finish, but they are hilarious. They’re the kind of thing that you’ll flick through for a chuckle now and then.

I did not read or review The Land Beyond the Blow, The Fiend’s Delight, or Cobwebs from an Empty SkullAlso, I have seen several references to a story named “The Time the Moon Fought Back” from 1911, but I can’t find it anywhere. I don’t know whether it really exists or not. Some lists of Bierce’s short stories contain one or more of the following: Hazen’s brigade, The Ingenious Patriot, Tale of the Sphinx, Revenge, and Visions of the Night. These are not short stories; they are fables, poems or essays. If you notice that I have missed any actual short stories, or know where I can read “The Time the Moon Fought Back“, please let me know.

 

Obligatory Lovecraft Post

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Call of Cthulhu and Other Weird Stories – Penguin – 2002
The Thing on the Doorstep and Other Weird Stories – Penguin – 2001
Dreams in the Witch House and Other Weird Stories – Penguin – 2005
These are the only Lovecraft books that I own. I’m interested in buying more, but I don’t want to spend a bunch of money on a book if it only contains one story that isn’t included in these. I would love to hear from anyone who could recommend other collections that are worth buying for somebody who already has the penguin editions.

I’m not going to waste much time talking about how great the stories are. There’s not much I can say that hasn’t been said a million times before. These collections are nice though. I liked Joshi’s introductions and notes. Dreams in the Witch House and Other Weird Stories is definitely the weakest of the three, but I still really enjoyed it. That one contains more fantasy stories than the other two, and while the fantasy stories were pretty great, I definitely prefer the darker stuff.

Lovecraft is one of my favourite writers. I remember going to a LAN party when I was 16 years old, and one of the guys there shared a folder of .txt files that were stories by ‘a cool horror writer who influenced Metallica and Quake’. No further persuasion was necessary.

Apart from his wordiness (which I completely adore), the main complaint that people seem to have about Lovecraft is that he was a nasty racist. Well, I don’t want to to defend him; the fact that he lived in a different time and place doesn’t justify his shitty opinions. However, I don’t feel the need to disregard his entire body of work because it contains a few parts that I don’t agree with. In honesty, I thought some of the racist parts were pretty funny. To clarify: I don’t think racism is funny; I think Howard’s delusions of grandeur are funny. (He wasn’t exactly a fine specimen of humanity himself.) Anyways, I don’t really care if an author of fiction is an asshole in real life; I read lots of books by people who I would absolutely hate if I were to meet them. Lewis Carroll was a paedo, Dennis Wheatley was a loyalist, Montague Summers was a boy-toucher, and I certainly don’t read the Marquis De Sade because he was a nice bloke. It helps that these lads are all dead though. I wouldn’t buy something if I knew that my money would go to a shitty racist.

It’s a shame that I spent so much time discussing what it is only a minor point in Lovecraft’s writing. The positive aspects of his work more than make up for some of his unpleasant ideas. The atmospheres that he creates within these tales are unique and genuinely exhilarating. If you haven’t read Lovecraft before, I would recommend any of these three collections as an introduction. The worst of these stories are pretty good, and the best of them are the best stories that I have read. 9.5/10